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The Faculty Board of Music give notice that they have prescribed the following papers and subjects for the Music Tripos in 2005 (Statutes and Ordinances, p. 348):
Part IA
Nineteenth-century Music
A. Constructing the Renaissance Canon
B. Dialogues in World Music
Part IB
(A) Historical topics
| 6. | Notation |
| 7. | Monteverdi in Venice: Madrigals and Works for the Stage |
| 8. | Degeneration and Regeneration |
| 9. | Jazz |
| 11. | Ethnomusicology: Aspects of Middle Eastern Music |
(B) Other topics
| 10. | Introduction to Music and Science |
Part II
| 8. | Notation: Parisian Polyphony |
| 9. | Music and Drama in the Middle Ages |
| 10. | Music and Politics in the English Reformation, c. 1540-1625 |
| 11. | Sight of Sound |
| 12. | Orientalism and the Western Canon |
| 13. | Richard Strauss's 'Indian Summer' |
| 14. | Film Music |
| 15. | Perception and Performance |
| 16. | Ethnomusicology and the Past |
| 17. | Choral Studies |
All papers are examined by a three-hour written examination with the exception of the following:
Part IB, Paper 11, Ethnomusicology: Aspects of Middle Eastern Music
The examination will consist of a written paper of two hours' duration, together with submission of a transcription of recorded music and an essay of not more than 1,500 words.
Part II, Paper 17, Choral Studies
The examination will consist of a written paper of two hours' duration, marked as two-thirds of the whole paper, and either a practical examination or submitted work, marked as one third of the paper.
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Cambridge University Reporter 6 May 2004
Copyright © 2003 The Chancellor, Masters and Scholars
of the University of Cambridge.